3. When _____? - In 1928. A. penicillin was discovered B. was penicillin discovered C. penicillin has discovered D. has penicillin discovered

4. Most of the work _____ before the start of the 20th century. A. is completed B. was completed C. has been completed D. had been completed

5. The bus drivers went on strike _____ we had to walk to school. A. so that B. because C. so as to D. so 6. In our village, many people do not have _____ much money. A. too B. more C. the D. ---

7. Whenever we meet Bob, he always _____ to avoid _____ at us. A. try / to look B. tries / looking C. tries / look D. tried / looked

8. Peter told me _____ worried and promised _____ me whenever I _____ in difficulty. A. not being / help / am B. not to be / to help / was C. not be / to help / were D. not to be / to help / would be

9. I don't think _____ possible to guess a person's character by appearance. A. they B. them C. its D. it

10. She usually bothers us _____ her boast. A. with B. of C. from D. for

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 44 to 55.

         Panel painting, common in thirteenth- and fourteenth-century Europe, involved a painstaking, laborious process. Wooden planks were joined, covered with gesso to prepare the surface for painting, and then polished smooth with special tools. On this perfect surface, the artist would sketch a composition with chalk, refine it with inks, and then begin the deliberate process of applying thin layers of egg tempera paint (egg yolk in which pigments are suspended) with small brushes. The successive layering of these meticulously applied paints produced the final translucent colors.

         Backgrounds of gold were made by carefully applying sheets of gold leaf, and then embellishing of decorating the gold leaf by punching it with a metal rod on which a pattern had been embossed. Every step in the process was slow and deliberate. The quick-drying tempera demanded that the artist know exactly where each stroke be placed before the brush met the panel, and it required the use of fine brushes. It was, therefore, an ideal technique for emphasizing the hard linear edges and pure, fine areas of color that were so much a part of the overall aesthetic of the time. The notion that an artist could or would dash off an idea in a fit of spontaneous inspiration was completely alien to these deliberately produced works.

         Furthermore, making these paintings was so time-consuming that it demanded assistance. All such work was done by collective enterprise in the workshops. The painter or master who is credited with having created the painting may have designed the work and overseen its production, but it is highly unlikely that the artist’s hand applied every stroke of the brush. More likely, numerous assistants, who had been trained to imitate the artist’s style, applied the paint. The carpenter’s shop probably provided the frame and perhaps supplied the panel, and yet another shop supplied the gold. Thus, not only many hands, but also many shops were involved in the final product.

         In spite of problems with their condition, restoration, and preservation, many panel paintings have survived, and today many of them are housed in museum collections. 

What characteristic of tempera paint is mentioned in the passage?

A. It has to be applied directly to wood

B. It is difficult to make

C. It dries quickly

D. It dissolves easily

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

Panel painting, common in thirteenth- and fourteenth-century Europe, involved a painstaking, laborious process. Wooden planks were joined, covered with gesso to prepare the surface for painting, and then polished smooth with special tools. On this perfect surface, the artist would sketch a composition with chalk, refine it with inks, and then begin the deliberate process of applying thin layers of egg tempera paint (egg yolk in which pigments are suspended) with small brushes. The successive layering of these meticulously applied paints produced the final translucent colors.

Backgrounds or gold were made by carefully applying sheets of gold leaf, and then embellishing of decorating the gold leaf by punching it with a metal rod on which a pattern had been embossed . Every step in the process was slow and deliberate. The quick-drying tempera demanded that the artist know exactly where each stroke be placed before the brush met the panel, and it required the use of fine brushes. It was, therefore, an ideal technique for emphasizing the hard linear edges and pure, fine areas of color that were so much a part of the overall aesthetic of the time. The notion that an artist could or would dash off an idea in a fit of spontaneous inspiration was completely alien to these deliberately produced works.

Furthermore, making these paintings was so time-consuming that it demanded assistance. All such work was done by collective enterprise in the workshops. The painter or master who is credited with

having created the painting may have designed the work and overseen its production, but it is highly unlikely that the artist’s hand applied every stroke of the brush. More likely, numerous assistants, who had been trained to imitate the artist’s style, applied the paint. The carpenter’s shop probably provided the frame and perhaps supplied the panel, and yet another shop supplied the gold. Thus, not only many hands, but also many shops were involved in the final product.

      In spite of problems with their condition, restoration, and preservation, many  panel paintings have survived, and today many of them are housed in museum collections.

What characteristic of tempera paint is mentioned in the passage?

A. It has to be applied directly to wood

B. It is difficult to make.

C. It dries quickly. 

D. It dissolves easily.

điền các từ: any, enough,few,hardly,many,no,plenty of, some, very, little

You may be trying to buy a pair of shoes and there are.... in your size and you can't choose,or there are too..... Shop assistants are good at inventing excuses.A few days ago I was trying to buy.....birthday cards for children, but..... for five-year olds. " five is a very popular age this year", the assistant siad:" we can't get... cards for this age group". Then I went to a " Do it yourself shop" and tried to buy some orange paint. There was.... paint in the shop, but in the end I found....Then I asked for two small paint brushes. " we don't have..", the shop assisant explained. "there's ... demand for them. No one even asks for... ". " Yes, they do !" . I exclained: " I'm asking for.... now!"

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 44 to 55.

         Panel painting, common in thirteenth- and fourteenth-century Europe, involved a painstaking, laborious process. Wooden planks were joined, covered with gesso to prepare the surface for painting, and then polished smooth with special tools. On this perfect surface, the artist would sketch a composition with chalk, refine it with inks, and then begin the deliberate process of applying thin layers of egg tempera paint (egg yolk in which pigments are suspended) with small brushes. The successive layering of these meticulously applied paints produced the final translucent colors.

         Backgrounds of gold were made by carefully applying sheets of gold leaf, and then embellishing of decorating the gold leaf by punching it with a metal rod on which a pattern had been embossed. Every step in the process was slow and deliberate. The quick-drying tempera demanded that the artist know exactly where each stroke be placed before the brush met the panel, and it required the use of fine brushes. It was, therefore, an ideal technique for emphasizing the hard linear edges and pure, fine areas of color that were so much a part of the overall aesthetic of the time. The notion that an artist could or would dash off an idea in a fit of spontaneous inspiration was completely alien to these deliberately produced works.

         Furthermore, making these paintings was so time-consuming that it demanded assistance. All such work was done by collective enterprise in the workshops. The painter or master who is credited with having created the painting may have designed the work and overseen its production, but it is highly unlikely that the artist’s hand applied every stroke of the brush. More likely, numerous assistants, who had been trained to imitate the artist’s style, applied the paint. The carpenter’s shop probably provided the frame and perhaps supplied the panel, and yet another shop supplied the gold. Thus, not only many hands, but also many shops were involved in the final product.

         In spite of problems with their condition, restoration, and preservation, many panel paintings have survived, and today many of them are housed in museum collections. 

According to the passage, what was the first step in making a panel painting?

A. Mixing the paint

B. Making ink drawings

C. Preparing the panel

D. Buying the gold leaf

Read the following passage and mark the letter (A, B, C or D) on your answer sheet to indicate the correct answer to each for the questions.

 The official residence of the president of the United States is the White House, located at 1600 Pennsylvania Avenue, in Washington, D.C. The Commissioners of the District of Columbia held a meeting in 1792 and decided to hold a contest for the best design for the Presidential House. James Hoban, an architect born in Ireland, was the winner. His bid for the construction of the mansion asked for $200,000, but the final cost of the building came to twice that amount. The work on the project began during the same year, and the grounds of approximately one and a half miles west of the Capitol Hill were chosen by Major Pierre-Charles L’Enfant, who was in charge of city planning. However, the construction continued for several more years, and George Washington had stepped down as president before the building was habitable. When John Adams, the second president of the United States and his wife Abigail moved in 1800, only six rooms had been completed.

 The grey sandstone walls of the house were painted white during construction, and the color of the paint gave the building its name. The building was burned on August 24, 1814, and James Hoban reconstructed the house for President James Monroe and his family, who moved there in 1817. The north portico was added to the building in 1829, water pipes were installed in 1833, gas lighting in 1848, and electricity in 1891. In 1948, inspectors announced that the building was so dilapidated that it was beyond repair and suggested that it was cheaper to construct a new one than repair the existing dwelling. However, the national sentiment was to keep the original form intact, and Congress appropriated $5million dollars for repairs. In 1961, Jacqueline Kennedy launched a pro.4 gram to redecorate the rooms and appointed a Fine Arts Committee to make choices of furnishing and colors.

 The house of the president accords its residents a great deal of space. The living quarters contain 107 rooms, 40 corridors, and 19 baths. The White House contains a doctor’s suite, a dentist’s office, a large solarium, a broadcasting room, and a two-floor basement for storage and service rooms. The office in which the president works is not located in the White House, but in a separate building called the West Wing. The White House stands on 16 acres of park like land and overlooks a broad lawn, flower gardens, and wood groves.

The author of the passage implies that the construction of the main White House building continued

A. up to 1800 

B. after 1800 

C. until 1814

D. until 1792

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

Panel painting, common in thirteenth- and fourteenth-century Europe, involved a painstaking, laborious process. Wooden planks were joined, covered with gesso to prepare the surface for painting, and then polished smooth with special tools. On this perfect surface, the artist would sketch a composition with chalk, refine it with inks, and then begin the deliberate process of applying thin layers of egg tempera paint (egg yolk in which pigments are suspended) with small brushes. The successive layering of these meticulously applied paints produced the final translucent colors.

Backgrounds or gold were made by carefully applying sheets of gold leaf, and then embellishing of decorating the gold leaf by punching it with a metal rod on which a pattern had been embossed . Every step in the process was slow and deliberate. The quick-drying tempera demanded that the artist know exactly where each stroke be placed before the brush met the panel, and it required the use of fine brushes. It was, therefore, an ideal technique for emphasizing the hard linear edges and pure, fine areas of color that were so much a part of the overall aesthetic of the time. The notion that an artist could or would dash off an idea in a fit of spontaneous inspiration was completely alien to these deliberately produced works.

Furthermore, making these paintings was so time-consuming that it demanded assistance. All such work was done by collective enterprise in the workshops. The painter or master who is credited with

having created the painting may have designed the work and overseen its production, but it is highly unlikely that the artist’s hand applied every stroke of the brush. More likely, numerous assistants, who had been trained to imitate the artist’s style, applied the paint. The carpenter’s shop probably provided the frame and perhaps supplied the panel, and yet another shop supplied the gold. Thus, not only many hands, but also many shops were involved in the final product.

      In spite of problems with their condition, restoration, and preservation, many  panel paintings have survived, and today many of them are housed in museum collections.

According to the passage, what was the first step in making a panel painting?

A. Mixing the paint. 

B. Making ink drawings.

C. Preparing the panel. 

D. Buying the gold leaf.

Read the following passage and mark the letter (A, B, C or D) on your answer sheet to indicate the correct answer to each for the questions.

 The official residence of the president of the United States is the White House, located at 1600 Pennsylvania Avenue, in Washington, D.C. The Commissioners of the District of Columbia held a meeting in 1792 and decided to hold a contest for the best design for the Presidential House. James Hoban, an architect born in Ireland, was the winner. His bid for the construction of the mansion asked for $200,000, but the final cost of the building came to twice that amount. The work on the project began during the same year, and the grounds of approximately one and a half miles west of the Capitol Hill were chosen by Major Pierre-Charles L’Enfant, who was in charge of city planning. However, the construction continued for several more years, and George Washington had stepped down as president before the building was habitable. When John Adams, the second president of the United States and his wife Abigail moved in 1800, only six rooms had been completed.

 The grey sandstone walls of the house were painted white during construction, and the color of the paint gave the building its name. The building was burned on August 24, 1814, and James Hoban reconstructed the house for President James Monroe and his family, who moved there in 1817. The north portico was added to the building in 1829, water pipes were installed in 1833, gas lighting in 1848, and electricity in 1891. In 1948, inspectors announced that the building was so dilapidated that it was beyond repair and suggested that it was cheaper to construct a new one than repair the existing dwelling. However, the national sentiment was to keep the original form intact, and Congress appropriated $5million dollars for repairs. In 1961, Jacqueline Kennedy launched a pro.4 gram to redecorate the rooms and appointed a Fine Arts Committee to make choices of furnishing and colors.

 The house of the president accords its residents a great deal of space. The living quarters contain 107 rooms, 40 corridors, and 19 baths. The White House contains a doctor’s suite, a dentist’s office, a large solarium, a broadcasting room, and a two-floor basement for storage and service rooms. The office in which the president works is not located in the White House, but in a separate building called the West Wing. The White House stands on 16 acres of park like land and overlooks a broad lawn, flower gardens, and wood groves.

What does the passage imply about the cost of the White House construction?

A. It was proposed at the meeting of the commissioners

B. It did not adhere to the original estimate

C. It was not included in the architectural design

D. It was considered excessive for the presidential home

Read the following passage and mark the letter (A, B, C or D) on your answer sheet to indicate the correct answer to each for the questions.

 The official residence of the president of the United States is the White House, located at 1600 Pennsylvania Avenue, in Washington, D.C. The Commissioners of the District of Columbia held a meeting in 1792 and decided to hold a contest for the best design for the Presidential House. James Hoban, an architect born in Ireland, was the winner. His bid for the construction of the mansion asked for $200,000, but the final cost of the building came to twice that amount. The work on the project began during the same year, and the grounds of approximately one and a half miles west of the Capitol Hill were chosen by Major Pierre-Charles L’Enfant, who was in charge of city planning. However, the construction continued for several more years, and George Washington had stepped down as president before the building was habitable. When John Adams, the second president of the United States and his wife Abigail moved in 1800, only six rooms had been completed.

 The grey sandstone walls of the house were painted white during construction, and the color of the paint gave the building its name. The building was burned on August 24, 1814, and James Hoban reconstructed the house for President James Monroe and his family, who moved there in 1817. The north portico was added to the building in 1829, water pipes were installed in 1833, gas lighting in 1848, and electricity in 1891. In 1948, inspectors announced that the building was so dilapidated that it was beyond repair and suggested that it was cheaper to construct a new one than repair the existing dwelling. However, the national sentiment was to keep the original form intact, and Congress appropriated $5million dollars for repairs. In 1961, Jacqueline Kennedy launched a pro.4 gram to redecorate the rooms and appointed a Fine Arts Committee to make choices of furnishing and colors.

 The house of the president accords its residents a great deal of space. The living quarters contain 107 rooms, 40 corridors, and 19 baths. The White House contains a doctor’s suite, a dentist’s office, a large solarium, a broadcasting room, and a two-floor basement for storage and service rooms. The office in which the president works is not located in the White House, but in a separate building called the West Wing. The White House stands on 16 acres of park like land and overlooks a broad lawn, flower gardens, and wood groves.

The passage mentions all of the following White House premises EXCEPT

A. hallways 

B. kitchen 

C. medical offices 

D. storage rooms